by Lenny Ben-David
The film clip showing an Israeli car hitting two Arab children in Silwan on Friday was horrifying. No one can sit quietly and indifferently while children - any children - are hurt before your eyes. Thank God the children survived and were not seriously injured.
Then came the subtext: The children were part of a gang attacking the driver with rocks, and rocks can most definitely kill. The boys, emboldened by some militant organizer, covered their faces to avoid identification and arrest. There's no doubt of their intention and premeditation. The driver was David Be'eri, a leader of the Jewish residents in Silwan. Be'eri's son was in the car.
The story and YouTube clip spread around the world in nanoseconds. Arab witnesses charged that the "settler" deliberately ran down the children.
But, I've now watched the clip scene-by-scene and in some parts frame-by-frame, and there's a deeper, even sinister, subtext.
Most viewers focus on the victims. It's natural. They don't notice at least seven still photographers in addition to the video cameraman. With the exception of one photographer standing across the street, all the others filmed the scene from the same vantage point at the bottom of the hill. There could have been more. I identify the photographers as:
1. Black baseball hat/gray hoodie with strap over shoulder.
2. White tee shirt and jeans across the street
3. Black shirt with gray stripes
4. Blonde woman
5. Green tee shirt
6. Striped polo shirt shows up once the boy's on the ground
7. Later a photographer with a long-sleeve gray shirt shows up briefly.
Reviewing the clip, it's evident that there were as many photographers as there were rock-throwers. Who invited them and coordinated the time and place? Who recruited the boys? Did they plan to ambush dafka David Be'eri's car? Was it an attempt to reenact the iconic death of Mohammed Dura, the boy allegedly killed by Israeli soldiers in 2000 in what we now know was a fake propaganda stage show?
Watch the clip and see how the photographers buzzed around the boy taking pictures while he was on the ground. Only one photographer went through the motion of extending a hand. Was their sense of humanity suppressed by their hopes of a Pulitzer prize?
Also watch as the wounded boy is manhandled and forcibly stuffed into a car against his will. As a former medic, I was shocked and amazed that the boy survived the mistreatment he received after he was hit by the car. After such an initial trauma, first responders know that there is a likelihood of neck, head and spine injuries. That was no way to evacuate a casualty, and if - or more likely when - the boy is presented before the press, the cause of his injuries should be judged accordingly.
Every photographer at the Silwan site bears responsibility for the children's injuries. They were tools in the hands of a dangerous propagandist, and they answered the summons to capture the "action" on film. Their presence incited the kids. Then the cameramen stood by as a child laid injured. Until the photographers fess up as to who dispatched them, they should be treated as accomplices to the crime of endangering the children.
Lenny Ben-David
Copyright - Original materials copyright (c) by the authors.
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