Monday, September 9, 2013

A New Muslim Brotherhood Symbol: R4BIA



by Dawn Perlmutter



 
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There is a new Islamist symbol appearing in protests, on social networking sites and at demonstrations throughout the Middle East. The symbol allegedly originated as a four-fingered hand sign by pro-Morsi protesters during demonstrations in Egypt’s Rabia al-Adawiya Square. The hand gesture quickly evolved into an image of the hand commonly depicted in black on a bright yellow background. It is called the “R4BIA sign.” In English it is officially spelled in capital letters and the letter “A” is replaced with the number 4. It has become the symbol of the massacre of pro-Morsi supporters in Rabia al-Adawiya Square on August 14, 2013. This new sign already has its own history, legend and mysticism and it contains all the attributes that Islamists favor in their symbology, particularly martyrdom.

The design of the symbol has been endowed with characteristics of the sacred in Islam: the color yellow used in the background signifies the golden Dome of the Rock in Jerusalem and the hand depicted in the color black denotes the black cloth that covers the Kaaba. The official R4BIA website alleges that protesters originated the sign and explained the meaning:
“This is the ‘Rabia sign.’ ‘Rabia’ means four or fourth in the Arabic language. The name of this square comes from Rabia al-Adawiya, a blessed lady among the pious servants of Allah. She received the name Rabia because she was the fourth child in the family. We use the sign to cherish her legacy.” “The second reason why this sign bears significance is the fact that Mohamed Morsi was the fourth President of Egypt after Gamal Abdel Nasser, Anwar Sadat and Hosni Mubarak. We make the sign to remind people of his presidency.” “In addition, those who gather in Tahrir Square to support the military coup prefer the V sign made with the two fingers. We cannot be the same as those people. We use and spread the Rabia sign in order to distinguish ourselves from them.”
According to the R4BIA website, the protestors who provided the explanation for the symbol were killed with hundreds of other Muslim Brotherhood supporters who had camped out in the tent city for weeks. The violent incident and the symbol that has come to represent it have been endowed with supernatural qualities. The number four has acquired mystical connotations signified by the name of the square, the succession of Egyptian presidents and the birth order of Rabia al-Adawiya.  The slain supporters have been bestowed with heroic status and the Islamist honor of martyrdom and are now referred to as the “Rabia Martyrs.”  A new Islamist legend was born out of the blood of Egyptian protesters. It would not be surprising if pilgrimages to Rabia al-Adawiya Mosque to commemorate the new martyrs occur each year on the anniversary of the violence.

The symbol is quickly evolving into a full-fledged R4BIA movement. A mythology surrounding the R4BIA martyrs is emerging. One of the new myths is that the blessings of the new martyrs are responsible for spreading the symbol beyond Egypt’s national borders to become the symbol of awakening to the global Muslim community. Although the new blessed martyrs are getting credit for spreading the message, they are receiving a lot of help from the Muslim Brotherhood propaganda machine and Turkish Islamists. A Turkish website R4BIA.com has been launched in three languages, Arabic, English and Turkish, explaining the origin of the symbol and promoting a R4BIA movement. R4BIA.com contains photos and videos of protesters and includes a R4BIA song whose lyrics are comprised of the writings of Sayyid Qutb, an influential leader of the Muslim Brotherhood and the father of violent Islamism.

The site also contains a video showing family photos and the letter written by senior Muslim Brotherhood leader Mohamed Beltagy to his 17-year-old daughter Asma, who was shot and killed during the protests. The letter will become a classic in Muslim Brotherhood propaganda, as it includes a heart rending eulogy filled with the symbolism of female martyrs as brides of paradise when her father describes her death in a dream as a wedding.

A section of the website that reveals the true significance of the R4BIA symbol and the fledgling movement posits the question: “What is R4BIA?” The anonymous web master claims the responses were compiled from a selection of interpretations provided by Muslims around the world. They read:

R4BIA is a symbol of freedom
 R4BIA is the birth of a new movement for freedom and justice
 R4BIA is the birth of a new world
 R4BIA is the return of Muslims to world stage
 R4BIA means justice, freedom and conscience
 R4BIA is the place where the so-called values of the West collapsed
 R4BIA means the Egyptian heroes who became free by dying
 R4BIA is Egypt, Syria, Palestine and the whole geography of Islam
 R4BIA is the name of those who wake all the Islamic world with their death
 R4BIA is the place of people who show the death is a revival
 R4BIA is our daughter Asma
 R4BIA is the grandchildren of Hasan Al Banna
 R4BIA is the new name of our children who will change the world
 R4BIA is a new breath to humanity
 R4BIA is justice for everyone against rotten Western values
 R4BIA is the soul of a free man and a free woman
 R4BIA is the tear, the sadness, the sobbing
 R4BIA is the joy, the happiness, the good news
 R4BIA is the child, the woman, the young, the old
 R4BIA is a man like a man
 R4BIA is straight as an Aleef, humble as Waw
 R4BIA is a pure martyrdom
 R4BIA is a new world
 R4BIA is Ummah
 R4BIA is solidarity, togetherness, brotherhood
 R4BIA is unification of Islamic World
 R4BIA is the shame of the accomplice of the massacres
 R4BIA is the end of munafiqeen who support the massacres
 R4BIA is the end of oil sheikhs
 R4BIA is the end of capitalists
 R4BIA is the end of Zionists
 R4BIA is the end of immoral press
 RABIA is the arena of martyrdom
 R4BIA is the mother of martyrs
 R4BIA is a smiling martyrdom

Many activists on social media have confirmed that the sign originated in Turkey, which officially opposed the military coup in Egypt. Turkish Prime Minister Erdogan was one of the first to promote the R4BIA hand sign during a speech on August 17 when he saluted crowds several times with the four-finger sign. Turkish footballers also began to use the hand sign after scoring goals, soon after the symbol became popular on Turkish social media. It used to take years, sometimes decades, for a symbol to achieve global recognition, however, in the age of technology, with Instagram, Facebook, YouTube, Twitter and the Internet, this new Islamist sign went viral in days. Although the R4BIA symbol may have originally signified solidarity with massacred protesters, the meaning and the imagery has rapidly been radicalized to embody the primary concepts of Islamist propaganda: honor, heroism and martyrdom in the goal of establishing an Islamic caliphate. Images of the R4BIA symbol now include the fingers being depicted as rifles, the hand holding the black flag of jihad and writing on the hand calling for an Islamic Caliphate.

Perhaps many of those holding placards, wearing t-shirts and raising the four-finger salute do not understand the radical implications. Similar to movie stars and students who wear keffiyeh scarves, they may just assume it’s a cool, hip solidarity thing to do. However, there is no doubt that the Muslim Brotherhood understands the significance of disguising their true Islamist agenda, which is why they rebranded their name to the Freedom and Justice Party and removed images of the Quran and crossed swords from their logo.

The R4BIA sign is not a benign peace symbol; it is a symbol of resistance, Islamism, martyrdom, and a visual call to arms comparable to the black flag of jihad. The black hand on the bright yellow background is appropriately similar to highway warning signs that caution us against danger and indicate a hazard ahead on the road that may not be readily apparent.


Dawn Perlmutter

Source: http://frontpagemag.com/2013/dawn-perlmutter/a-new-muslim-brotherhood-symbol-r4bia/

Copyright - Original materials copyright (c) by the authors.

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